A partir de cette page vous pouvez :
| Retourner au premier écran avec les dernières notices... | Votre compte |
Catégories
Ajouter le résultat dans votre panier Affiner la recherche Interroger des sources externesINSHALLAH / Dima GAVRYSH (2015)
Titre : INSHALLAH Type de document : texte imprimé Auteurs : Dima GAVRYSH, Auteur ; Alla ZARIFYAN, Directeur de publication, rédacteur en chef Editeur : Berlin [Allemagne] : KEHRER VERLAG HEIDELBERG Année de publication : 2015 Importance : 1 vol. (108 p.) Format : 30 x 30 cm ISBN/ISSN/EAN : 978-3-86828-468-3 Note générale : Mention spéciale du jury des Rencontres d'Arles 2015 Langues : Anglais (eng) Catégories : [Thesaurus ENSP]AFGHANISTAN
[Thesaurus ENSP]ARMEE
[Thesaurus ENSP]BOMBARDEMENT
[Thesaurus ENSP]GUERRE
[Thesaurus ENSP]SOLDATRésumé : "Inshallah ("Dieu le veut" en arabe) est un projet qui explore les occupations soviétiques et américaines de l'Afghanistan, et issu de mes fantasmes d'enfant qui idéalisent l'armée et entretient avec un conflit personnel entre passé et présent.
Je crée un conte de fées sombre rempli de mes peurs et mes rêves, me fondant sur ma fascination pour la force et l'ordre de l'armée, situé sur les lignes de front de ce qui est devenu la plus longue guerre de l'Amérique dans l'histoire. Hypnotisé par la complexité du chaos afghan, je cherche à mieux appréhender ma relation personnelle à ces guerres: deux empires, deux mentalités, même champ de bataille, douze ans d'intervalle."
[http://dimagavrysh.com/Inshallah] trad.googlePermalink : http://pmb.ensp-arles.fr/opac_css/index.php?lvl=notice_display&id=14071 Exemplaires
N° d'inventaire Cote Support Localisation Section Disponibilité 16202 779 GAV Livre Bibliothèque Biblio Exclu du prêt
Titre : AFGHANISTAN Type de document : texte imprimé Auteurs : Larry TOWELL, Photographe Editeur : New York [Etats-Unis] : APERTURE FOUNDATION Année de publication : 2014 Importance : 1 vol. (n. p.) : ill. en coul., couv. ill. en coul. Format : 29 x 39 cm ISBN/ISSN/EAN : 978-1-597-11266-6 Langues : Anglais (eng) Catégories : [Thesaurus ENSP]2008
[Thesaurus ENSP]AFGHANISTAN
[Thesaurus ENSP]ARMEE
[Thesaurus ENSP]GUERREPermalink : http://pmb.ensp-arles.fr/opac_css/index.php?lvl=notice_display&id=17091 Exemplaires
N° d'inventaire Cote Support Localisation Section Disponibilité 19263 779 TOW RES Livre Bibliothèque Archives Exclu du prêt
Titre : CHEWING GUM AND CHOCOLATE Type de document : texte imprimé Auteurs : TOMATSU Shomei, Photographe ; RUBINFIEN Leo, Auteur ; JUNKERMAN John, Auteur Editeur : New York [Etats-Unis] : APERTURE FOUNDATION Année de publication : 2014 Importance : 176 p. Format : 25 x 29,5 cm ISBN/ISSN/EAN : 978-1-597-11250-5 Langues : Anglais (eng) Catégories : [Thesaurus ENSP]ARMEE
[Thesaurus ENSP]ETATS-UNIS
[Thesaurus ENSP]JAPON
[Thesaurus ENSP]PHOTOGRAPHIE NOIR ET BLANC
[Thesaurus ENSP]PORTRAIT
[Thesaurus ENSP]TOMATSU Shomei
[Thesaurus ENSP]XXe SIECLERésumé : Shomei Tomatsu, one of Japan's foremost twentieth-century photographers, created one of the defining portraits of postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu continued to focus on the tensions between traditional Japanese culture and the growing westernization of the nation in his seminal book Nihon. Beginning in the late 1950s, Tomatsu committed to photographing as many of the American military bases in Japan as possible. Tomatsu's photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women ; foreign children at play in seedy landscapes, home to American forces; and the emerging protest formed in response to the ongoing American military presence. He originally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldiers'sugary and addictive, but ultimately lacking in nutritional value. And although many of his most iconic images are from this series, this work has never before been gathered together in a single volume. Leo Rubinfien contributes an essay that engages with Tomatsu's ambivalence toward the American occupation and the shifting national identity of Japan. Also included in this volumeare never-before-translated writings by Tomatsu from the 1960s and '70s, providing context for both the artist's original intentions and the sociopolitical thinking of the time. Permalink : http://pmb.ensp-arles.fr/opac_css/index.php?lvl=notice_display&id=13502 Exemplaires
N° d'inventaire Cote Support Localisation Section Disponibilité 15441 779 TOM Livre Bibliothèque Biblio/Monographie Exclu du prêt
Titre : GAYS IN THE MILITARY Type de document : texte imprimé Auteurs : Vincent CIANNI, Photographe ; Alan M. STEINMAN, Auteur ; Donald R. BRAMER, Auteur ; Alison NORDSTROM, Auteur Editeur : New York [Etats-Unis] : DAYLIGHT BOOKS Année de publication : 2014 Importance : 1 vol. (249 p.) : ill. en noir, couv. ill. Format : 23 x 28 cm ISBN/ISSN/EAN : 978-0-988983-15-1 Langues : Anglais (eng) Catégories : [Thesaurus ENSP]ARMEE
[Thesaurus ENSP]ETATS-UNIS
[Thesaurus ENSP]HOMOSEXUALITE
[Thesaurus ENSP]PHOTOGRAPHIE NOIR ET BLANC
[Thesaurus ENSP]PORTRAITPermalink : http://pmb.ensp-arles.fr/opac_css/index.php?lvl=notice_display&id=18156 Exemplaires
N° d'inventaire Cote Support Localisation Section Disponibilité 20259 779 CIA Livre Bibliothèque Archives Exclu du prêt
Titre : 82/2 Type de document : texte imprimé Auteurs : THOMSON David, Directeur de publication, rédacteur en chef Editeur : Londres [Royaume-Uni] : ARCHIVE OF MODERN CONFLICT (AMC) Année de publication : 2013 Importance : 157 p. Format : 25,5 x 28,7 cm ISBN/ISSN/EAN : 978-0-957049-04-8 Langues : Allemand (ger) Anglais (eng) Catégories : [Thesaurus ENSP]ARMEE
[Thesaurus ENSP]CIVIL
[Thesaurus ENSP]EUROPE
[Thesaurus ENSP]FOULE
[Thesaurus ENSP]SECONDE GUERRE MONDIALE
[Thesaurus ENSP]VIOLENCERésumé : 82 comes in two volumes and features pictures from the Second World War. The first volume, 82/1, looks at the material loss of the war, while the second looks at the human loss of the war; the humiliations and atrocities, the death, the imprisonment and the violence waiting to be unleashed.Look inside and there are the pictures. There's nothing else apart from the pictures, except that the backs of the pictures are shown in life size at the back of the book. They are all non-professional pictures that were taken from albums or private collections. The traces of their heritages are apparent on the handwritten notes and patches of glue and paper visible In this section.The first volume is the less interesting one. There are crashed planes, burnt out homes and bomb shelters. Sunken ship vie with signs in German, Russian, French and English. One hand drawn poster shows two naked women on one side of the image next to a picture of a soldier undergoing the grind of his daily duties. "Traumen und Wirklichkeit" read the words; "Dreams and Reality." The only guide to the rationale of the edit comes in this online blurb: ‘The edit is like a guidebook to the stratified emotions that exist in our warlike nature. Volume 1 gives us a fleeting glance at the temporal nature of material culture as it rides alongside unfolding conflict. Volume 2 draws on the human cost.’ The human cost is vast and it starts off with a picture of Little Willy, a German dog. A frost-fringed donkey follows and then we're on to a series of pictures of Russian and Gypsy children. Wearing little more than rags they stare, smile and salute for the cameras. The subjects get older and from Gypsy women flashing their breasts we go on to Jews in Hungary, Poland and Russia. It's a catalogue of death waiting to happen. And happen it does. After a series of pictures of captured soldiers come pictures of death; men shot dead against a wall, men lying sprawled in a field, Jews waiting to be shot. Prison camps and prisoners of war lead to images of soldiers posing in crashed planes and cars or goofing around with effigies. The last picture shows soldiers splashing in the sea. We see them from a height, from a distance and perhaps that sums up what this book is about. It never settles but spans across countries and peoples and continents all from a distance of time, of memory, of history. It's a book where the meaning of one picture is dictated by the next, where the viewer determines the fate of those people and places identified at the back of the book. A Polish Jew, a Hungarian peasant? They died probably. The French children who got shrapnel wounds after playing with a grenade ? They lived, probably. And the soldiers? Who knows? In her book on vernacular Second World War photography, Pictures of War, the writer Janina Struk describes how the reading of pictures of war, even seemingly playful ones, is always up for debate. She describes audience reactions to an exhibition at the Rijksmuseum of German soldiers' pictures that were taken during the occupation of the Netherlands.These everyday pictures were interpreted as a 'homage,' connections were made not only to the Holocaust but also to the war in Iraq and American propaganda. Struk writes that 'Some said they portrayed the humanity of war while others said they portrayed its cruelty. One elderly Dutch visitor looked at the photographs and began to weep and rushed outside. No one knew what he had seen in those seemingly innocuous pictures.' There is nothing innocuous about the pictures in 82 (the second volume in particular) but a similar thing happens. You look at the pictures and you pass judgement and speculate based on the hotchpotch of personal histories, experiences and war films that all these pictures bring alive. But ultimately there is no sense in it, because there is no sense to be had. But you have to make sense of it somehow, so you do as best you can. 82 is one of those book where decisions and readings of the images are left to the viewer. I'm not sure that's enough. Permalink : http://pmb.ensp-arles.fr/opac_css/index.php?lvl=notice_display&id=13665 Exemplaires
N° d'inventaire Cote Support Localisation Section Disponibilité 15823 779 THO 2 Livre Bibliothèque Biblio/Monographie Exclu du prêt
Permalink
Permalink
PermalinkTHE BRIG / Jonas MEKAS (2012)
Permalink
Permalink
Permalink
Permalink
Permalink
Permalink
Permalink
