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THE MEANING OF PHOTOGRAPHY / KELSEY Robin (2008)
Titre : THE MEANING OF PHOTOGRAPHY Type de document : texte imprimé Auteurs : KELSEY Robin, Éditeur scientifique ; Blake STIMSON, Éditeur scientifique Editeur : CLARK ART INSTITUTE Année de publication : 2008 Collection : Clark Studies in the visual arts Importance : 1 vol. (211 p.) : ill., couv. ill. en coul. Format : 17,8 x 24 cm ISBN/ISSN/EAN : 978-0-300-12150-6 Langues : Anglais (eng) Catégories : [Thesaurus ENSP] CRITIQUE
[Thesaurus ENSP] ESSAI
[Thesaurus ENSP] HISTOIRE DE LA PHOTOGRAPHIE
[Thesaurus ENSP] PHOTOGRAPHIERésumé : With essays by Geoffrey Batchen, François Brunet, Mary Ann Doane, José Luis Falconi, Robin Kelsey, Douglas R. Nickel, Blake Stimson, and John Tagg, and additional contributions by Lars Kiel Bertelsen, Anne McCauley, Jorge Ribalta, John Roberts, Eric Rosenberg, Eric C. Shiner, and Bernd Stiegler
Photo essays by Sharon Harper, Lilla LoCurto and Bill Outcault, Fiona Tan, and Akram Zaatari
How can we write the histories of photography? How should art history and visual studies integrate the special technical and aesthetic challenges posed by the medium and respond to the intense interest it has provoked in the art world in recent years? In this timely volume, fifteen leading scholars discuss the discipline, practice, historiography, and study of photography, from William Henry Fox Talbot to Louise Lawler, and reflect on the status of photography today. In addition, the book features works by important contemporary artists that probe and illustrate these same issues, together offering new perspectives on the field and what photography means to us in the early 21st century.
[Quatrième de couverture]Note de contenu : Sommaire :
Introduction
Robin Kelsy and Blake Stimson - Photography's Double index (A Short History in Three Parts)
Part One: Beyond the Index
Mary Ann Doane - lndexicality and the concept of Medium Specificity
Robin Kelsey - Photography, Chance, and The Pencil of Nature
François Brunet - "A better example is a photograph " : On the exemplary Value of Photographs in C. S. Peirce's Reflection on Signs
Sharon Harper - Moon Studies and Star scratches
Part Two : The Hlstory of Photography at Issue
Douglas R. Nickel - Peter Henry Emerson : The Mechanics of Seeing
Geoffrey Batchen - Camera Lucida : Another Little History of photography
Akram Zaatari - The Hashem el Madani Project
Part Three. Photography as Totality
Blake Stimson - A photograph is Never Alone
John Tagg - In the Valley of the Blind
José Luis Falconi - Two Double Negatives
Lilla LoCurto and Bill Outcault - topologies
Part Four : Positions
Anne McCauley - Overexposure : Thoughts on the Triumph of Photography
John Roberts - On the Ruins of Photographic Culture : The Politics of Photographic Form Today
Lars Kiel Bertelsen - Reading Photographs lconographically or lchnographically
Jorge Ribaila - Molecular Documents : Photography in the Post-Photographic Era, or How Not to Be Trapped into False Dilemmas
Eric C. Shiner - Focus and Cross : Thoughts on the Changing Face of Japanese Contemporary Photography’
Eric Rosenberg - Photography Is Over, If You Want lt
Bernd Stiegler - Photography as the Medium of ReflectionPermalink : https://pmb.ensp-arles.fr/opac_css/index.php?lvl=notice_display&id=14381 Réservation
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